Tres lecturas contemporáneas de una forma canónica: Borges, Cortázar, Saer y el soneto

Abstract

This work centres on critical readings and rewritings of three Argentine authors, whose major aesthetic options, genre, and historical moment, are not related to sonnet. Attention is focused on their way of reading Spanish Golden Age sonnet, especially Quevedo's and Garcilaso's poems. On the other hand, it studies the places of enunciation constructed by these writers as critics, and relationships established between sonnet and literature.