Cultura oficial y cultura popular en el origen de la comedia renacentista en España

Abstract

The following paperwork analyzes the multiple factors leading to the up-building of the Spanish Renaissance's commedy. By one side, the narrow relationship that tides it both to Italian contemporary so as to classical commedy is here underlined; by the other, it is intended to individualize those features so innovative that distinguish it from Italian commedy and present it as an autonomous research-object. It has been attempted to specify what Italian scholar Siro Ferrone names "sincrética procederé", w here converges a multiplicity of traditional and innovative factors and, at the same time, a series of textual relationships and contiguities.