Max Aub, crí­tico e historiador literario

Abstract

On the basis of similarities and dissimilarities in the consideration of authors dealt with in Discurso de la novela española contemporánea, Francisco Caudet points out Max Aub's poetics of realism stated in both his critical studies and fiction. This essay shows that Aub's contribution to the study of Mexican and Spanish literature is outstanding, not only because of his socio-historical approach, but also because of a specific perspective. This does not mean writing a "history" of literature but rather connecting creative processes. Committed during his youth to the avant-garde, Max Aub shifts after the Civil War to a type of new realistic writing. The author highlights Max Aub's activity as a critic discussing and commenting his sources. Aub's critical essays cannot be detached from his personal ideas about literary theory and practice.