Laurencio in La Dorotea: Ductility and Hybrid in the Construction of the Action in Prose
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Abstract
La Dorotea of Lope de Vega is characterized by focus attention on studies from the most diverse critical approaches; under discussion, analysis and polemics, the work of the Fenix resists determinants classifications and rebels against conclusive categorizations brandishing a structural matrix that integrates theatricality, autobiography-memoirs, poetry and celestinesca tradition. This time we will stop at the character Laurencio, in the construction of the roles played, in the relationships that engages with the characters of Don Bela and Gerarda and the dramatic roles that were assigned to him.
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References
Las siguientes citas se han extraído y se vincularán a los metadatos de envío.
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